The Media Monitor is Canada's leading database for news stories on the broadcasting system, media ownership and cultural policies.
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Columnist says creating a cast of anchors at CBC exponentially expands the possibilities of its news media brand.
"Their investment decisions are likely to focus increasingly on a narrow range of very expensive, very high-end content," Tony Hall says about streaming giants and warns of a $660 million spending hole.
The Competition Bureau requires that at least 98 per cent of a good’s total direct costs of production or manufacturing are incurred in Canada before that good can be legally advertised as a “Product of Canada.”
Cavazzi, born in St. Vital, Man., headlined the wholesome CBC musical variety program “The Juliette Show” for 10 years beginning in 1956, where she was introduced at the top of each episode as “your pet, Juliette.”
The president of Canadian Media Research says that if a “Netflix tax” is off the table, then Canada needs a Mélanie Joly tax, equivalent to a TV/internet licence fee, with the revenue used to fund a commercial-free CBC, private TV production and other media.
Columnist says the federal government’s stubbornness not to make Canadians pay the GST on their Netflix subscription is hindering any progress on the much greater problem of GST collection by foreign digital service companies.
Columnist says the Liberals politely rejected nearly everything the Heritage committee recommended.
Canada's Office of the Commissioner of Official Languages is opening an investigation into the $500-million deal between the Canadian government and Netflix.
Two weeks ago, Heritage Minister Melanie Joly unveiled her vision for cultural policy in the internet age.
Columnist says Netflix should be taxed, not only because similar Canadian services are taxed but because revenue collected would pay for Canadian content.
Columnist says the federal government missed an opportunity with its new cultural policy framework to support ethnic media and greater diversity in other newsrooms.
Over the past year, 34 students at four Canadian journalism schools — Concordia, Ryerson, Regina and the University of British Columbia — joined together with senior journalists at three national news organizations — the Toronto Star, Global News and the National Observer — in an unprecedented reporting collaboration.
Netflix is sinking deeper into debt in its relentless pursuit of more viewers, leaving the company little margin for error as it tries to build the world's biggest video subscription service.
Netflix in campaign to ‘set record straight’ on $500-million pledge for Canadian productions by Daniel Leblanc
The streaming service and the federal government have faced a series of attacks over the fact the company does not pay sales taxes in Canada and refuses to submit to any quotas on its television productions in the country.
Columnist says the federal government’s new framework for cultural policy offers virtually no new support to Canadian news production, one of the most important and most threatened foundations of Canadian democracy.
Columnist says Heritage Minister Melanie Joly was right to reject a bailout for legacy news media in Canada, but she was wrong about them being unviable.
A spokesperson for the Prime Minister says Britain is looking at the role of Google and Facebook in the provision of news and what their wider responsibilities and legal status should be.
The Canadian government has come to an agreement with streaming giant Netflix, Inc. to invest $500 million to produce original Canadian content.
Columnist says it’s time to let the advertising model die, and start imagining and rebuilding a news industry that is audience-driven.
The Canadian province is questioning Netflix's avoiding a federal sales tax by agreeing to invest $400 million in local series like 'Alias Grace.'
Columnist says Netflix will be spending as much money on Canadian content per year as Bell Media and Corus Entertainment - broadcasters who have benefited from corporate protections and who have received subsidies.
Columnist says we’re living in a world where the CRTC is the regulatory equivalent of the Maginot Line: Digital content providers can just fly right over it.
Mélanie Joly’s Netflix deal fails to address the real issues for Canadian content creators by Kate Taylor
The details of the Netflix deal with Investment Canada are suspiciously sparse, but they seem to include a definition of Canadian programming so vague that U.S. shows shot in Canada would qualify.
Columnist says investing $100-million a year to help out the production of TV and movies in Canada is the kind of figure Netflix shrugs off as the cost of doing business.
Questions remain about how Canadian producers will be able to access funding to create programming.
In April, Google announced an initiative called Project Owl to provide “algorithmic updates to surface more authoritative content” and stamp out fake news stories from its search results.
Foreign affairs minister will host U.S. and Mexican counterparts at National Arts Centre in Ottawa.
The show will return to CBC on Tuesday night for its final season. Mercer, who turns 48 next month, says the timing for right to retire the show.
The government of France is extending a video tax, previously reserved for French pay-per-view video sites, to all French and foreign digital video platforms, whether paying or free.
Columnist says that after years of largely avoiding regulation, businesses like Facebook, Google and Amazon are a focus of lawmakers, some of whom are criticizing the expanding power of big tech companies and their role in the 2016 election.