All you ever wanted to know about entering but were afraid to ask...
Having trouble deciding on a topic? Wondering how to ensure your entry complies with the rules?
FRIENDS asked the winners of the 2008 Dalton Camp Award - Matthieu Aikins and Fraser MacLean
- a few questions about their experience entering the Dalton Camp
Award, and what practical tips they have for future entrants. Read
their responses below.
1. How did you first hear about the Award? Did you know who Dalton Camp was?
Matthieu: I was told about the award by a friend, who thought
that it would be something that would interest me. I must confess to
never having heard about Dalton Camp before, although I am print, not
broadcast, junkie.
Fraser: My Media & Communications teacher at the University College of the Fraser Valley, Cheryl Dahl, informed the class one day before a lunch break. I hadn't heard of Dalton Camp before then.
2. Where did you get the idea for your topic?
Fraser: I knew that if I had a good topic to write on, the
rest would be easy. I went on the Friends of Canadian Broadcasting
website and read essays by previous winners, and liked how Gareth Lewis' essay on blogging
was relevant to our immediate political situation. YouTube, like
blogging, has only just recently started to become (somewhat)
mainstream, so it seemed fitting to write about it while it was still
fresh and in its infancy.
Matthieu: I agonized over the topic for quite some time.
Initially, I thought of doing something on Conrad Black, but that
seemed to me a little obvious. Then I considered writing about our
newspapers' blanket coverage of the American elections, which, in my
opinion, was crossing the line from news to entertainment in terms of
its ubiquity. But that seemed a little too academic and also to require
too much original research. It then struck me that my topic was right
here in Halifax, where a local journalist had... well, you can read the essay.
A lot of my material came from my own first-hand familiarity with the
article and the journalist who wrote it, and some came from my previous
research on the history of Canadian newspapers in general and the Kingston Whig-Standard in particular. The rest I assembled from the usual sources on the Internet and in library databases.
3. When did you start working on your essay? How long did it take?
Matthieu: The Award only came to my attention a month or so
before the deadline, and something like this can tend to get
put behind more immediate deadlines. I put in some work on the essay
over the course of the last week before the deadline and then finished
it in a frantic 24 hour period.
Fraser: I started writing on March 28th, as I had to squeeze
it in between other assignments that were due around the same time.
When I begin a task, be it writing or music, I hole myself up and work
consistently until it's done. For the next three days I worked from
morning till night gathering facts, writing, editing, and re-writing.
I'm sure I could have done it in two, but seeing as how the topic was
YouTube, I spent an inordinate amount of time watching videos of WWII
footage, giant centipedes and Japanese game shows.
4. What was your first reaction upon reading the official rules?
Fraser: "What is the Chicago Manual of Style again?"
Matthieu: I read the official rules when I first heard about the Award, and then consulted them a few times during the process.
5. What was your strategy for keeping within the 2,000 word
limit for the essay? The 50 word limit for the biographical statement?
Matthieu: I've been writing for a little while now, both
academically and professionally, so I've developed a pretty good sense
for how many words a given subject and style will take. As for the
biographical sketch, I'm generally fairly taciturn regarding these -
the DCA committee actually inserted a sentence to plump it up!
Fraser: For the essay, contractions. The apostrophe is your
friend! For the biographical statement, it's hard to decide what to
include. Many of the previous winners had university degrees, and had
already won some awards for different things. I'm just a kid who likes
music and going places, what else could I say?
6. How close to the deadline did you submit your entry?
Fraser: The night before.
Matthieu: I submitted it several minutes before the deadline.
7. Where were you when you learned your essay had been selected?
Matthieu: I was actually visiting my cousin in Chamonix, France at the time!
Fraser: I was at work with some friends when I got a call from
my parents, saying someone from the Friends of Canadian Broadcasting
had wanted to speak to me. Now, I have a music project going here in
Vancouver that has me playing shows around town semi-regularly, and
when my friends saw me writing down names and numbers while saying
"What did he say? Are you sure?!", I guess they thought I was getting
signed or my record was getting picked up. When I got off the phone,
they were looking at me all wide eyed, asking what all the fuss was
about. The look of disappointment on their faces when I started saying
"Ok, so I entered this essay contest..." was priceless. I was keen on
it, but I guess for them political essays don't compare to rock
stardom. Go figure.
8. What suggestions do you have for future entrants?
Fraser: Find a topic that you sincerely believe in, then
write. So many people talk about getting things done, but never follow
through. When my teacher told our class about the Award, I went up to
her at the break and said "I am going to win this." She said, a little
hesitantly, "Well, put your entry in and see what happens". I
responded, "Ok, but I am going to win. For sure." I think I told my
parents that I would win before I even knew what I was going to write
about. People call that arrogance, but I believe it's important to have
confidence in your abilities to do a job, whatever that job happens to
be.
Matthieu: The most important thing, of course, is to read the essays of past winners.
This will give you a good idea of what the awards committee is looking
for, and also of subjects that have been previously explored. Next,
take a look at the judges and note their backgrounds and professions. I
don't mean to say that you need to cater to their sympathies, but it
might help you choose how to write your essay. In this case, after
reading about the selection committee,
I decided to eschew a hardcore academic style (even though some of the
past winning essays were written in this style) and write something
more similar to what you might find in the Op-Ed section of a
newspaper. It's a more comfortable style for 2,000 words, for me at
least, and I felt confident that the judges wouldn't punish me for it.


